Compositing
Combine footage, graphics and visual elements into a coherent final image with attention to depth, light, colour and movement.
Visual Effects
Make every element belong in the shot.
B1 provides visual-effects and compositing support for live-action footage, branded content and campaign production. We remove distractions, integrate new elements and refine the final image so the effect serves the scene rather than competing with it.
When the captured image is only the beginning
Some shots need correction. Others need an element that could not be created practically on set. In both cases, the final result depends on careful integration - matching movement, light, perspective, texture and timing closely enough for the image to feel complete.
We work with agencies, production teams and content creators at a defined stage of the post-production process or as a visual partner involved earlier in planning.
What we can do
Object removal and clean-up
Remove unwanted objects, production equipment, marks and other distractions while preserving the continuity of the shot.
Screen and graphic replacement
Integrate interface content, branded graphics, signs, displays and other designed elements into filmed material.
Rotoscoping, masking and shot preparation
Isolate subjects and objects accurately to support compositing, correction and further post-production work.
A good fit for
Commercials and branded films.
Social and campaign content.
Product and interface demonstrations.
Screen, sign and artwork replacement.
Footage clean-up and object removal.
Graphic overlays and visual integration.
Shots that require additional post-production support before final grading or delivery.
How we handle the shot
Material review
We review the footage, reference, edit and technical requirements. The necessary work is identified shot by shot so the scope and expected result are clear.
Visual and technical plan
We determine the most suitable treatment, required source materials and handover specifications. For projects still in pre-production, we can also advise on how to capture footage that supports the intended effect.
Execution and review
The shots are prepared, composited and refined. Review stages are organised around meaningful visual progress, allowing feedback to be precise and manageable.
Final delivery
Approved shots are exported according to the agreed resolution, frame rate, colour workflow and delivery requirements of the wider production.
The effect should support the image
Visual effects are most convincing when they respect the original footage and the intention of the scene. Our focus is controlled execution - enough intervention to achieve the result, with the detail required to make the final image feel natural and complete.
Frequently asked questions
At what stage should we involve B1?
We can join during post-production, but earlier involvement is useful when a planned shot depends heavily on compositing or replacement. A short review before filming can prevent avoidable limitations later.
What materials do you need for an estimate?
Ideally, we need the relevant footage or representative frames, the current edit, a description of the required result, technical specifications and any visual references. If final footage is not yet available, we can begin with the shooting plan and reference material.
Can you work as part of a wider post-production team?
Yes. We can take responsibility for a defined group of shots and deliver them within an established editorial, grading or finishing workflow.
Show us what the shot needs.
Send the footage, representative frames or a description of the intended result. We will review the material and define the most practical next step.