One grid, five stories
A 12-column motion grid and a fixed set of four transitions kept episodes recognisable as siblings.
Five topics, five audiences, one brand. Previous videos had been made by different suppliers and looked it. The client wanted a series that held together and a set of rules so the next one would too.
We treated the series as a system rather than five films. Shared grid, shared easing curves, shared transition vocabulary, then room inside those constraints for each episode to have its own idea.
A 12-column motion grid and a fixed set of four transitions kept episodes recognisable as siblings.
Three named curves for everything that moves. Documented, not improvised per shot.
A short motion guideline document plus source files, so the internal team could produce episode six without us.
The series shipped as a set. The guidelines have since been used for two further pieces produced in-house.
Tell us what you are trying to make and when it needs to exist. We will tell you honestly whether we are the right studio for it.