Board for editing, not for pretty
Fast, legible panels. The point was to see the cut, not to admire the drawings.
A short film with a fixed shooting schedule and an ambitious middle act. The director wanted to know whether the sequence worked before committing a crew to it.
We boarded tight, cut an animatic with temp sound, and watched it enough times to stop liking it. Three shots were dropped and two were merged.
Fast, legible panels. The point was to see the cut, not to admire the drawings.
Timing exposed a twelve-second sag in the middle that nobody had noticed in the script.
Every panel numbered against the schedule, so the AD could plan the day from the boards.
The sequence shot in three days instead of four. Two setups were cut before anyone paid for them.
Tell us what you are trying to make and when it needs to exist. We will tell you honestly whether we are the right studio for it.